Two old Amiga music legends have recently decided to re-make some of their olden goldies. Lizardking and Mantronix made melodic synth music, somewhere inbetween … Koto and Jean-Michel Jarre? German space disco meets Italo Disco? As cheesy as some of it is, it’s kind of hard not to like it. Atleast when you’ve been brainwashed by it when you were young. In the Amiga scene this style is known as doskpop.
After a new Facebook group popped up, with an amazing energy supplied by Slash who started it, plenty of old tracker celebrities have been showing up. Moby finished some old songs, for example.
Many of us have probably wondered what tracker musicians could’ve done with more powerful technologies. Some people seem pretty convinced that it would automatically be better, because there’s “more possibilities”. Let’s move back to the 80’s first, when Rob Hubbard made synth-versions of his songs before programming them on C64. Let’s look at One Man and His Droid. Listen to the first version here recorded with various synth gear (among them TR-606 and TB-303!). Then listen to the C64-version below.
The first version is much more rough than the second one. Understandably, of course, since the first one is a sketch. But if we look at other music that exists as both tracker music and “synth music” (in lack of a better word) it’s not unusual that this is the case. I’ve heard it in most game musicians who “re-master” their old songs to sound more modern, for example. The tracker versions are just more detailed, intricate, ornamental. Anal? Crazy? Yes, perhaps.
Check the original version of Act of Impulse by Tip & Mantronix, and then listen Mantronix’ 2012-version. The new version is better in many production-wise ways, like clarity and punch and bass and all that. But one thing is, atleast to me, better in the old version. The melodies. It’s a lot more expressive. In the original mod-file you can see all the effort of the composer with setting custom vibrato, glide and volume tweaks for individual parts, and even notes. That’s sort of a pain in the ass with modern DAWs, but in trackers you were encouraged to do so because otherwise it looked empty and “sounded lame”. The more the better. Aesthetic maximalism, as I’ve called it before.
I have a similar feeling with Lizardking’s re-makes of his own songs. It’s miles better than all the generic SID/MOD-remixes that are out there, but I still miss some of that tracker trickery that is so characteristic of tracker music. It needs to sound more “data” like we say over here in the Swedish scene. Less generic knobs, more detailed numbers. No more synth! hehehe
Ok, well, this might be the most grumpy-old-man post I’ve made so far, so I think it’s better to just stop here. But just to clarify: this is not meant to diss anything. I love the data-sound, yes, but most people obviously prefer knob music. My point is that the newer software sort of brings us away from these “hand-made” solutions that were more common before, and drives us into a different kind of sound. Because even these “unlimited” platforms have a sound to them, don’t they?