At the excellent Bimbo Tower store in Paris, they have a specific section for Amigacore. I’ve never seen that before. It had about 10 vinyls with classics from DHR-people like Catani and Babalon, artists from Bloody Fist, and so on. But there were also two releases that I’d never heard about.
R-ictus – Onanisme Rituel (video) is some sort of speedcore and Vverevvolf Grehv’s album Zombie Aesthetics is a bit more metal-oriented (video). They are both quite lo-fi, but obviously not produced only with Amiga.
But it has the Amiga spirit. And perhaps some of it was even made with the Paula chip of the Amiga. But that’s not the point here. Perhaps Amigacore is a valid genre even without the Amiga? I wasn’t convinced about the term when I wrote this. But if there’s a special section for amigacore in a record store, it does have a broader relevance for music listeners.
I suppose that amigacore has lo-fi and distorted sounds that has not been drenched in cheesy postproduction effects like a lot of breakcore still seems to be. So it’s not only about the raw timbre, but also about the sequencing technique. I believe that trackers were highly influential on both IDM and breakcore in the 1990’s. Early ‘breakcore’ acts like Venetian Snares and Nasenbluten used the Amiga. So perhaps amigacore is basically like ‘oldschool breakcore’…?