Linus Åkesson, aka Lft, is a programmer and musician who has mentioned featured several times at Chipflip. He works a lot with combining the aesthetics of chipmusic and “classical” music. He uses soundchips but also programs custom “soundchips” using microcontrollers, often with rather impressive programming. Perhaps not surprisingly, he has a background in the demoscene. In Reverberations he simulated the hands of an organ player with delicate Assembler programming, and executed it on two C64s. Technique and concept in a tight interplay: yum-yum!
In a way, the Chipophone turns this approach on its head. Here, it is hands that simulate chipmusic rather than the other way around. The Chipophone instrument features some of the most characteristic aspects of chipmusic software: arpeggios, slides, looped bars and noise-attacks. Consequently, a skilled pianist can play chipmusic in something similar to a chipmusic platform (8-bit CPU, 1k RAM, 8.5k ROM) and add all the typical chipmusic ornaments with the hands. It’s quite surreal to see Hubbard’s Spellbound actually being performed by hand:
I think that this is qualitatevly different from using, say, Chipsounds and a MIDI-keyboard. The Chipophone is not an emulation – it’s a music instrument that is inspired by the aesthetics of chipmusic. Rather than using modern equipment to mimick something that it will never be, this is a custom-made low-tech platform using an oldschool organ interface. Surely this would inspire musicians to perform in a different way, compared to the hi-tech VST-world.
According to the 00-decade’s discourse of hardware purism, where chipmusic has to use certain soundchips, this is of course not chipmusic. But considering the Chipophone’s low amount of RAM, ROM and CPU and its low-level implementation of typical chipmusic effects, this is a refreshing alternative to the, eh, mainstream chipmusic (LSDj with default samples).
I have interviewed Lft for my (nearly finished) thesis, where we discussed the aesthetical elements of chipmusic among other things. The Chipophone is a very clever way to bring these stylistic elements into a postdigital context, where it is motor skills that condition the music rather than tracker-skills. He demonstrates it so elegantly aswell, by playing some songs from “the chipmusic canon”. Hopefully this can be an inspiration for chipmusicians to experiment with improvisations and performances, rather than doing another playback gig.
Update: btw, look at his combination of 480 bytes & piano: The Swan